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George O'Toole
MEMBER PROFILE – GEORGE O’TOOLE
George
O’Toole lives near Edinburgh in West Lothian, Scotland, and has
been a full time wedding photographer for three years.
Fate has played a large part in George O’Toole’s life, he
believes. My view is that hard work and dedication have seen him through
difficult times, and helped him to achieve a growing business with a reputation
that goes from strength to strength.
Retirement came early for George – he gave up his career as a computer
systems manager in his 40’s when ME*
struck. He learned to control and conquer this affliction and at 50 years
of age has been a full time wedding photographer for 3 years.
George describes his wife Aileen as his ‘right arm, left arm and
everything in between’. As a husband and wife team they have the
perfect mix of Aileen’s attention to detail (‘she’s
the most efficient person I’ve ever known’ – George)
and George’s passion for his craft (he enjoys the adrenalin rush
– ‘it gets me through the day’).
When I ask George how he started in photography, he says he was knee
high to a grasshopper when he first picked up a camera. After the inevitable
Kodak Instamatic, his first real camera was a Praktica, and then he moved
on to a Canon AE1, which helped him to become ‘an amateur who knows
more than average.’
Now based in Scotland, George started earning money with his camera in
Manchester, his original home, at the airport, taking aviation photographs.
In his early working years, as a surveyor, he would take photographs of
buildings.
From having just one or two cameras, George has invested heavily in cameras
and lighting. ‘Digital played right into my hands’ he says
(that’s fate) because of his background in computer systems. In
addition, he has attended many seminars and will continue to do so –
‘I will always be learning’, he says enthusiastically. His
passion and hobby is photography, and he carries a camera always (these
days Canon EOS 1D’s). He has lived for 16 years in Scotland and
makes great use of the breathtaking views, both for his weddings and his
hobby. He enjoys being chairman of the local camera club, training members
and passing on his skills.
When I ask him the traditional question – ‘where would you
like to be in 5 years?’ George answers simply – ‘I just
want to be earning a living as a photographer, with a great reputation’.
With Aileen’s help, undoubtedly!
*p.s. 'If any ME sufferers in the photographic
world would like to talk to George, just email us and we will pass it
on'.
The ME (Myalgic Encephalopathy) website can be found at:
www.meassociation.org.uk also www.afme.org.uk
George also suffers from Coeliac disease - see: www.coeliac.org.uk
View George's
Portfolio
John Trowell
Our latest Master Craftsman!
East
Sussex member, John Trowell, is a man who sticks to his guns. Or, to be
more specific, his Hasselblad. John has bucked the trend and continues
to shoot on film. Very successfully, since he has just achieved Master
Craftsman with his very professionally presented array of albums and beautiful
enlargements.
Having worked for nearly 30 years with computers in the NHS, it is ironic
that John, who started photography as a hobby in his teens, has spurned
the digital age. Typical of photographers of his age, he has worked his
way through 35mm cameras (Exacta Varex), home made tubes and bellows to
photograph stamps, and black and white home based darkrooms, where ‘whole
plate’ prints were made on Agfa Brovira Crystal. He still has the
negatives from those early days, some of which were taken at Wembley poll
winner’s concerts. Amongst these are a potential goldmine of images
of the Beatles, Rolling Stones, Cliff Richard, and Dusty Springfield.
It is typical of the man that he brushes aside the possible value of these
celeb photographs – he’s in it for the joy of photography!
John took early retirement from the NHS 15 years ago and, having taken
wedding photographs for a local photographer, set up on his own, developing
and reinforcing his knowledge and expertise by attending a number of courses,
including those organised by Ian Gee and Roy Doorbar of the Guild. Now,
John is more likely to take part in a Light and Land course in landscape
photography to pursue his hobby. As honorary secretary of the Friends
of Rye Harbour Nature Reserve, and membership secretary of the Sussex
Ornithological society, he has plenty of opportunity to practice photographing
nature and even uses a telescope with a digital camera. His next ambition
is to acquire a large format camera, having used them on a Light and Land
course in France.
But John still loves wedding photography – the adrenalin rush,
the interaction with the bride and groom and the satisfaction of achieving
a job well done. He has travelled far and wide in pursuit of his occupation,
and was delighted to be asked to photograph a wedding in a Tuscan Palace.
One of the images taken there helped him to achieve the accolade of Master
Craftsman, an award of which he is justly proud. John is a worthy recipient.
Not only does he take great care in everything he does, and produces excellent
work, but he also shows courtesy and consideration to his clients. May
he continue in the same vein for many years to come!
View John's Portfolio
Doug Armitage
Doug's
northern accent led me to comment that he sounded a little like Wilfred
Pickles (only the older members of the Guild will remember him!). Fortunately
Doug has a sense of humour, as he pointed out, ‘Wilfred was a dyed
in the wool Yorkshireman……but I’ll let you off this
time!’
Doug has also sent us a humorous photograph to cheer us up in all the
doom and gloom the media portray. Take a look at ‘This
Month's Funny Photo!’ on our TitBits page and then send us one
of yours!
Lancashire lad (more of a character than age thing, since he is in his
early sixties) Doug Armitage, is obviously passionate about the craft
of wedding photography. As a sales manager for BT for most of his working
life, he travelled extensively throughout the North of England and Scotland,
but returned to his first love (photography) when he and his family settled
in Bolton-le Sands six years ago.
‘My wife, Janis, and I originally trained with a local photographer
31 years ago’, Doug says,’ when we used Mamiya and Rolleiflex
Twin Lens Reflex cameras – three rolls of 12 exposure black and
white per wedding’. He agrees that wedding photography has come
a long way since then, and has embraced digital photography, and its necessary
use of computers, with great enthusiasm.
He currently uses a Canon 5D, while his wife, Janis, shoots reportage
on a 20D – soon to be upgraded to 5D markII and 5D respectively.
However, as we all know, it’s not the camera that counts but the
person behind it, and Doug and his team (Janis and Fine Art photographer
Steve) have recently achieved Craftsman status for their Wedding Photography
business – Elizabeth James Photography.
With an impressive selection of professionally presented DVDs and sample
album, it was immediately clear that, not only is the work produced of
a very high standard, but the service to clients is exceptional. ‘I
was so pleased when a lady watching one of our DVDs said, “It makes
me feel like I’m eating chocolate”, Doug says proudly.
Doug finds that the best form of advertising, as many people would say,
is word of mouth. Now he can tell his customers about his latest achievement!
Unsurprisingly, Doug’s hobbies include photography, and he adds,
‘Non wedding - baby birds, wildlife, sunsets, Dance Festivals, children’s
portraits, etc’ and tells me about a recent holiday on the Russian/Finnish
border photographing bears – ‘like Grizzlies but a little
smaller’. Even his most recently adopted hobby – yoga –
is intended to help with the business. ‘To photograph a wedding
you have to be fairly fit’, he states. The only issue I would take
with that is that you have to be VERY fit!
Doug obviously spends some time on his computer in order to improve his
presentations. He has used the Loxley system and finds them very helpful
on the phone in sorting out the challenges of working over the internet
– ‘With the uploading times required for quality pictures,
it’s not easy’, he commented, ‘but there is information
on the site if you know where to find it.’
Family takes up the rest of his time. He and Janis met when they were
both appearing in the national amateur premier of Camelot, and they went
on to have two children – Kate who is 27 and Matthew, 31.
When asked what plans he has for the future, Doug replies that he would
like to work towards the top accolade of Master Craftsman and ‘just
keep on shooting weddings – it gives us such a buzz!’ We wish
Elizabeth James Photography all the success they deserve!
View Doug's Portfolio
Tony Hall
When
he entered the first Guild monthly competition, Alton based member, Tony
Hall didn’t expect that he would become the proud owner of a California
Sunbounce. 44 year old Tony has travelled extensively with his wife Fiona,
including visits to New Zealand, Canada, USA and Europe, but the greatest
adventure of his life has been fatherhood. His face lights up at the mention
of his 1 year old daughter Melanie, and I can see that the Sunbounce will
be put to great use practicing his portrait skills.
As with many members, Tony would love to become a full time photographer.
As a part-time gardener he can indulge his passion for flower photography
to his heart’s content, while weekends are taken up with wedding
photography – Tony recently gained Qualified level in Wedding photography
with the Guild.
Originally
a welding engineer, Tony is now a retained Fireman and settled in Alton
in Hampshire with Fiona, who is an Intensive Care Sister in Southampton
Hospital. He started using digital cameras seven years ago and now favours
the Fuji S2 and S3, with a Nikon D100 as a backup. ‘I shoot jpeg
for the speed of download’ he said. It’s a sentiment I agree
with, but there are those of you who disagree and swear by RAW –
why not send in your comments?
The California Sunbounce was supplied by Brian Colwell of the Birmingham
branch of The Flash Centre. This month’s competition has a prize
of a Canvas Wrap made from your own negative or file to 20”x16”,
donated by Redwood Professional Labs of Colchester. Why not enter now?
Jane de Weck
Arriving
at Jane’s studio on a cold December day, I found her in full
flow, organising a Christmas reception for friends and customers.
In fact, I can’t imagine Jane in anything other than full
flow – her frequent phone calls usually leave me exhausted
from her rapid fire delivery of numerous questions in her quest
to give her clients the best. It transpires that Jane, who is fast
approaching her sixtieth year, originally trained for the stage,
giving her the formidable delivery which is invaluable at weddings
to keep control of the crowd, sorry, guests. (She describes herself
as ‘not exactly bossy, but firm’.)
In fact, Jane’s interest in photography is more recently developed
(pun intended) than one would imagine from her stylish studio in
Eastbourne. Most of her working life has been taken up with antiques
dealing in partnership with her mother, Ruth Macklin-Smith, an amazing
octogenarian who has obviously passed on her youthful genes to her
daughter.
With
the changing fortunes of the antiques trade in the mid nineties,
Jane cast her net looking for an alternative career, and a neighbour
suggested she try photography. Amazingly, she had never owned a
‘proper’ camera, so she purchased an old Pentax (having
agreed with her friend that this could make a great career move)
and proceeded to familiarise herself with it to the extent that,
six months later, she photographed the neighbour’s wedding!
Knowing that many wedding photographers suffer from nerves, I asked
Jane how she felt about that first wedding. ‘I loved it’,
she boomed, but admitted that she too had been subject to nerves.
It is a little like a stage performance every time we shoot a wedding,
so perhaps her training helped her with that! ‘I love the
pressure’, she added – and has obviously thrived as
a result. Satisfied clients tell her that she has the skill, which
she has acquired by studying on a number of training days, as well
as watching Guild videos by Roy Doorbar and Nigel Harper.
Earlier this year, Jane noticed an empty studio – a casualty
of the Olan Mills decline – in her adopted home town, and
didn’t hesitate to take it on. The revamp has produced an
impressive studio, the spacious reception fitted with leather sofas
and, at this time of year, resplendent Christmas tree. Olan Mills
had left behind various fittings, backdrops and makeover room, so
redecoration was fairly simple. ‘I wanted to create a look
which was slick and inviting’, she says and she has put her
own stamp on it with her elegant design and tasteful minimalism.
Now aided by her husband, Colin, who manages admin and marketing,
and Hayley, ‘a whiz on the computer’, Jane’s business
is going from strength to strength.
Still shooting on film, Jane uses a Canon EOS 3 for most of her
work, and finds that many of her clients appreciate the fact that
she hasn’t converted to digital. Whilst her prices are not
the highest, she attracts good numbers of clients with portraits
typically priced at £9 for a 7x5 and weddings between £750
and £1250 – using Kenro and Circa albums. She is clearly
a lady who knows her own mind, and any advice to raise her prices
is met with scepticism. I heartily agree that we need to be comfortable
with our pricing, and that old saying ‘if it ain’t broke,
don’t fix it’ is certainly true in Jane’s case.
With 15 weddings already booked for next year, and a target of 50,
along with her growing number of portrait sittings, she is on course
to progress her business very nicely.
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for Portfolio Photographs |
MIKE ROBERTS-BUTLER
Whoever
coined the phrase ‘Cheeky Chappie’ must have had Mike
Roberts-Butler in mind.
A permanent grin lights up the face of this 50 something year old
Essex lad—his regular contributions to the letters page of
the Guild Journal have revealed a wry sense of humour which has
helped him weather the storms of life as a social photographer.
Like most of us, Mike took up photography as a hobby, shooting flowers,
motor shows and other things he classifies as ‘etcetera’.
Having started his working life as a trainee solicitor, electronics
lured him away from a legal profession and he worked for Plesseys
for 18 years.
Again, as with many of us, the printing of one of his photographs
in a local paper (rather gruesomely of someone who had died on the
railway) gave Mike that eureka moment and he was spurred on to ask
a wedding photographer for training and employment (for this he
has his sister to thank, or blame according to your point of view,
as she is the one who suggested he turn to wedding photography).
At that time he would shoot three weddings on one day in East London,
going on to work for National Weddings. As a salesman for them,
he would book three weddings in an evening.
Mike was fortunate to have a friend who ran an entertainment agency,
and he would take photographs of celebrities at Stringfellows (I
think Mike liked the lifestyle) for the press—a photograph
he took of Christopher Quinten (of Coronation Street fame) was printed
on the front page of the Sun! Fame indeed! (For those of you wondering
who was this minor soap celeb, Christopher Quinten was in the news
in the 80’s for alleged misdemeanours).
But the attractions of a paparazzi lifestyle gave way to the lure
of a life by the sea, and the offer of work in an electronics business
took him to Poole. Still working with National Weddings, he continued
to shoot weddings at weekends, until he felt secure enough to once
again make photography his full time occupation.
Now running a studio in Bournemouth—Budget Brides– his
claim to fame is that he charges no more than £500 per wedding.
This no doubt helps to get people through the door, and he books
about 100 weddings per year, using five ‘operators’
to help—no longer a three a day man, he confines himself to
one wedding per day.
Shooting on 35mm,(mainly Canon EOS 3’s) the prints, in an
album, are then given to bride and groom as theirs to keep.
‘My image is budget—no frills, just fun with some trips
to the sea’, says Mike, who undoubtedly enjoys his work.
In the studio, portrait sittings earn him an average of £80
per sitting, working on a price scale of £27 for 27 photographs,
then re-orders on top. He is currently contemplating a move to a
purpose built studio at his home—High Street rents and rates
take more than their fair share of profits. With this move he will
be following in the footsteps of many social photographers, and
it has its benefits.
Mike gained his first step of the qualifications ladder last year
with his collection of lively photographs, and then threw himself
into the selling of balloon tickets for our PR campaign. One of
his entrants won a runner up prize of £500 towards their wedding
photography, and the picture below shows them with Mike receiving
their prize. This was used for local publicity for Mike, which I
hope helps to give a spur to his fortunes. He deserves every success!
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for Portfolio Photographs |
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