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George O'Toole

MEMBER PROFILE – GEORGE O’TOOLE

George O’Toole lives near Edinburgh in West Lothian, Scotland, and has been a full time wedding photographer for three years.


Fate has played a large part in George O’Toole’s life, he believes. My view is that hard work and dedication have seen him through difficult times, and helped him to achieve a growing business with a reputation that goes from strength to strength.

Retirement came early for George – he gave up his career as a computer systems manager in his 40’s when ME* struck. He learned to control and conquer this affliction and at 50 years of age has been a full time wedding photographer for 3 years.

George describes his wife Aileen as his ‘right arm, left arm and everything in between’. As a husband and wife team they have the perfect mix of Aileen’s attention to detail (‘she’s the most efficient person I’ve ever known’ – George) and George’s passion for his craft (he enjoys the adrenalin rush – ‘it gets me through the day’).

When I ask George how he started in photography, he says he was knee high to a grasshopper when he first picked up a camera. After the inevitable Kodak Instamatic, his first real camera was a Praktica, and then he moved on to a Canon AE1, which helped him to become ‘an amateur who knows more than average.’

Now based in Scotland, George started earning money with his camera in Manchester, his original home, at the airport, taking aviation photographs. In his early working years, as a surveyor, he would take photographs of buildings.

From having just one or two cameras, George has invested heavily in cameras and lighting. ‘Digital played right into my hands’ he says (that’s fate) because of his background in computer systems. In addition, he has attended many seminars and will continue to do so – ‘I will always be learning’, he says enthusiastically. His passion and hobby is photography, and he carries a camera always (these days Canon EOS 1D’s). He has lived for 16 years in Scotland and makes great use of the breathtaking views, both for his weddings and his hobby. He enjoys being chairman of the local camera club, training members and passing on his skills.

When I ask him the traditional question – ‘where would you like to be in 5 years?’ George answers simply – ‘I just want to be earning a living as a photographer, with a great reputation’.

With Aileen’s help, undoubtedly!

*p.s. 'If any ME sufferers in the photographic world would like to talk to George, just email us and we will pass it on'.

The ME (Myalgic Encephalopathy) website can be found at:

www.meassociation.org.uk     also     www.afme.org.uk

George also suffers from Coeliac disease - see: www.coeliac.org.uk

View George's Portfolio


John Trowell
Our latest Master Craftsman!

East Sussex member, John Trowell, is a man who sticks to his guns. Or, to be more specific, his Hasselblad. John has bucked the trend and continues to shoot on film. Very successfully, since he has just achieved Master Craftsman with his very professionally presented array of albums and beautiful enlargements.

Having worked for nearly 30 years with computers in the NHS, it is ironic that John, who started photography as a hobby in his teens, has spurned the digital age. Typical of photographers of his age, he has worked his way through 35mm cameras (Exacta Varex), home made tubes and bellows to photograph stamps, and black and white home based darkrooms, where ‘whole plate’ prints were made on Agfa Brovira Crystal. He still has the negatives from those early days, some of which were taken at Wembley poll winner’s concerts. Amongst these are a potential goldmine of images of the Beatles, Rolling Stones, Cliff Richard, and Dusty Springfield. It is typical of the man that he brushes aside the possible value of these celeb photographs – he’s in it for the joy of photography!

John took early retirement from the NHS 15 years ago and, having taken wedding photographs for a local photographer, set up on his own, developing and reinforcing his knowledge and expertise by attending a number of courses, including those organised by Ian Gee and Roy Doorbar of the Guild. Now, John is more likely to take part in a Light and Land course in landscape photography to pursue his hobby. As honorary secretary of the Friends of Rye Harbour Nature Reserve, and membership secretary of the Sussex Ornithological society, he has plenty of opportunity to practice photographing nature and even uses a telescope with a digital camera. His next ambition is to acquire a large format camera, having used them on a Light and Land course in France.

But John still loves wedding photography – the adrenalin rush, the interaction with the bride and groom and the satisfaction of achieving a job well done. He has travelled far and wide in pursuit of his occupation, and was delighted to be asked to photograph a wedding in a Tuscan Palace. One of the images taken there helped him to achieve the accolade of Master Craftsman, an award of which he is justly proud. John is a worthy recipient. Not only does he take great care in everything he does, and produces excellent work, but he also shows courtesy and consideration to his clients. May he continue in the same vein for many years to come!

View John's Portfolio


Doug Armitage

Doug's northern accent led me to comment that he sounded a little like Wilfred Pickles (only the older members of the Guild will remember him!). Fortunately Doug has a sense of humour, as he pointed out, ‘Wilfred was a dyed in the wool Yorkshireman……but I’ll let you off this time!’
Doug has also sent us a humorous photograph to cheer us up in all the doom and gloom the media portray. Take a look at ‘This Month's Funny Photo!’ on our TitBits page and then send us one of yours!

Lancashire lad (more of a character than age thing, since he is in his early sixties) Doug Armitage, is obviously passionate about the craft of wedding photography. As a sales manager for BT for most of his working life, he travelled extensively throughout the North of England and Scotland, but returned to his first love (photography) when he and his family settled in Bolton-le Sands six years ago.

‘My wife, Janis, and I originally trained with a local photographer 31 years ago’, Doug says,’ when we used Mamiya and Rolleiflex Twin Lens Reflex cameras – three rolls of 12 exposure black and white per wedding’. He agrees that wedding photography has come a long way since then, and has embraced digital photography, and its necessary use of computers, with great enthusiasm.

He currently uses a Canon 5D, while his wife, Janis, shoots reportage on a 20D – soon to be upgraded to 5D markII and 5D respectively. However, as we all know, it’s not the camera that counts but the person behind it, and Doug and his team (Janis and Fine Art photographer Steve) have recently achieved Craftsman status for their Wedding Photography business – Elizabeth James Photography.

With an impressive selection of professionally presented DVDs and sample album, it was immediately clear that, not only is the work produced of a very high standard, but the service to clients is exceptional. ‘I was so pleased when a lady watching one of our DVDs said, “It makes me feel like I’m eating chocolate”, Doug says proudly.

Doug finds that the best form of advertising, as many people would say, is word of mouth. Now he can tell his customers about his latest achievement!

Unsurprisingly, Doug’s hobbies include photography, and he adds, ‘Non wedding - baby birds, wildlife, sunsets, Dance Festivals, children’s portraits, etc’ and tells me about a recent holiday on the Russian/Finnish border photographing bears – ‘like Grizzlies but a little smaller’. Even his most recently adopted hobby – yoga – is intended to help with the business. ‘To photograph a wedding you have to be fairly fit’, he states. The only issue I would take with that is that you have to be VERY fit!

Doug obviously spends some time on his computer in order to improve his presentations. He has used the Loxley system and finds them very helpful on the phone in sorting out the challenges of working over the internet – ‘With the uploading times required for quality pictures, it’s not easy’, he commented, ‘but there is information on the site if you know where to find it.’

Family takes up the rest of his time. He and Janis met when they were both appearing in the national amateur premier of Camelot, and they went on to have two children – Kate who is 27 and Matthew, 31.

When asked what plans he has for the future, Doug replies that he would like to work towards the top accolade of Master Craftsman and ‘just keep on shooting weddings – it gives us such a buzz!’ We wish Elizabeth James Photography all the success they deserve!

View Doug's Portfolio


Tony Hall

When he entered the first Guild monthly competition, Alton based member, Tony Hall didn’t expect that he would become the proud owner of a California Sunbounce. 44 year old Tony has travelled extensively with his wife Fiona, including visits to New Zealand, Canada, USA and Europe, but the greatest adventure of his life has been fatherhood. His face lights up at the mention of his 1 year old daughter Melanie, and I can see that the Sunbounce will be put to great use practicing his portrait skills.
As with many members, Tony would love to become a full time photographer. As a part-time gardener he can indulge his passion for flower photography to his heart’s content, while weekends are taken up with wedding photography – Tony recently gained Qualified level in Wedding photography with the Guild.
Originally a welding engineer, Tony is now a retained Fireman and settled in Alton in Hampshire with Fiona, who is an Intensive Care Sister in Southampton Hospital. He started using digital cameras seven years ago and now favours the Fuji S2 and S3, with a Nikon D100 as a backup. ‘I shoot jpeg for the speed of download’ he said. It’s a sentiment I agree with, but there are those of you who disagree and swear by RAW – why not send in your comments?
The California Sunbounce was supplied by Brian Colwell of the Birmingham branch of The Flash Centre. This month’s competition has a prize of a Canvas Wrap made from your own negative or file to 20”x16”, donated by Redwood Professional Labs of Colchester. Why not enter now?


Jane de Weck

Arriving at Jane’s studio on a cold December day, I found her in full flow, organising a Christmas reception for friends and customers. In fact, I can’t imagine Jane in anything other than full flow – her frequent phone calls usually leave me exhausted from her rapid fire delivery of numerous questions in her quest to give her clients the best. It transpires that Jane, who is fast approaching her sixtieth year, originally trained for the stage, giving her the formidable delivery which is invaluable at weddings to keep control of the crowd, sorry, guests. (She describes herself as ‘not exactly bossy, but firm’.)
In fact, Jane’s interest in photography is more recently developed (pun intended) than one would imagine from her stylish studio in Eastbourne. Most of her working life has been taken up with antiques dealing in partnership with her mother, Ruth Macklin-Smith, an amazing octogenarian who has obviously passed on her youthful genes to her daughter.

With the changing fortunes of the antiques trade in the mid nineties, Jane cast her net looking for an alternative career, and a neighbour suggested she try photography. Amazingly, she had never owned a ‘proper’ camera, so she purchased an old Pentax (having agreed with her friend that this could make a great career move) and proceeded to familiarise herself with it to the extent that, six months later, she photographed the neighbour’s wedding!
Knowing that many wedding photographers suffer from nerves, I asked Jane how she felt about that first wedding. ‘I loved it’, she boomed, but admitted that she too had been subject to nerves. It is a little like a stage performance every time we shoot a wedding, so perhaps her training helped her with that! ‘I love the pressure’, she added – and has obviously thrived as a result. Satisfied clients tell her that she has the skill, which she has acquired by studying on a number of training days, as well as watching Guild videos by Roy Doorbar and Nigel Harper.
Earlier this year, Jane noticed an empty studio – a casualty of the Olan Mills decline – in her adopted home town, and didn’t hesitate to take it on. The revamp has produced an impressive studio, the spacious reception fitted with leather sofas and, at this time of year, resplendent Christmas tree. Olan Mills had left behind various fittings, backdrops and makeover room, so redecoration was fairly simple. ‘I wanted to create a look which was slick and inviting’, she says and she has put her own stamp on it with her elegant design and tasteful minimalism.

Now aided by her husband, Colin, who manages admin and marketing, and Hayley, ‘a whiz on the computer’, Jane’s business is going from strength to strength.
Still shooting on film, Jane uses a Canon EOS 3 for most of her work, and finds that many of her clients appreciate the fact that she hasn’t converted to digital. Whilst her prices are not the highest, she attracts good numbers of clients with portraits typically priced at £9 for a 7x5 and weddings between £750 and £1250 – using Kenro and Circa albums. She is clearly a lady who knows her own mind, and any advice to raise her prices is met with scepticism. I heartily agree that we need to be comfortable with our pricing, and that old saying ‘if it ain’t broke, don’t fix it’ is certainly true in Jane’s case. With 15 weddings already booked for next year, and a target of 50, along with her growing number of portrait sittings, she is on course to progress her business very nicely.

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MIKE ROBERTS-BUTLER

Whoever coined the phrase ‘Cheeky Chappie’ must have had Mike Roberts-Butler in mind.

A permanent grin lights up the face of this 50 something year old Essex lad—his regular contributions to the letters page of the Guild Journal have revealed a wry sense of humour which has helped him weather the storms of life as a social photographer.

Like most of us, Mike took up photography as a hobby, shooting flowers, motor shows and other things he classifies as ‘etcetera’. Having started his working life as a trainee solicitor, electronics lured him away from a legal profession and he worked for Plesseys for 18 years.

Again, as with many of us, the printing of one of his photographs in a local paper (rather gruesomely of someone who had died on the railway) gave Mike that eureka moment and he was spurred on to ask a wedding photographer for training and employment (for this he has his sister to thank, or blame according to your point of view, as she is the one who suggested he turn to wedding photography). At that time he would shoot three weddings on one day in East London, going on to work for National Weddings. As a salesman for them, he would book three weddings in an evening.

Mike was fortunate to have a friend who ran an entertainment agency, and he would take photographs of celebrities at Stringfellows (I think Mike liked the lifestyle) for the press—a photograph he took of Christopher Quinten (of Coronation Street fame) was printed on the front page of the Sun! Fame indeed! (For those of you wondering who was this minor soap celeb, Christopher Quinten was in the news in the 80’s for alleged misdemeanours).

But the attractions of a paparazzi lifestyle gave way to the lure of a life by the sea, and the offer of work in an electronics business took him to Poole. Still working with National Weddings, he continued to shoot weddings at weekends, until he felt secure enough to once again make photography his full time occupation.
Now running a studio in Bournemouth—Budget Brides– his claim to fame is that he charges no more than £500 per wedding. This no doubt helps to get people through the door, and he books about 100 weddings per year, using five ‘operators’ to help—no longer a three a day man, he confines himself to one wedding per day.
Shooting on 35mm,(mainly Canon EOS 3’s) the prints, in an album, are then given to bride and groom as theirs to keep.

‘My image is budget—no frills, just fun with some trips to the sea’, says Mike, who undoubtedly enjoys his work.

In the studio, portrait sittings earn him an average of £80 per sitting, working on a price scale of £27 for 27 photographs, then re-orders on top. He is currently contemplating a move to a purpose built studio at his home—High Street rents and rates take more than their fair share of profits. With this move he will be following in the footsteps of many social photographers, and it has its benefits.

Mike gained his first step of the qualifications ladder last year with his collection of lively photographs, and then threw himself into the selling of balloon tickets for our PR campaign. One of his entrants won a runner up prize of £500 towards their wedding photography, and the picture below shows them with Mike receiving their prize. This was used for local publicity for Mike, which I hope helps to give a spur to his fortunes. He deserves every success!

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